{"componentChunkName":"component---src-pages-faculty-press-js","path":"/faculty-press/","result":{"data":{"allContentfulArticle":{"nodes":[{"title":"Heritage III: Lobola Negotiations","slug":"heritage-iii-lobola-negotiations","category":{"slug":"view"},"story":{"id":"712M8QOAYhDKyaSgtyyDHA","text":{"childMarkdownRemark":{"html":"<p><strong>Heritage III: Lobola Negotiations:</strong> A centuries old negotiation process in anticipation for eventual marriage.</p>"}},"media":null,"mediaPosition":null,"mediaOrientation":null,"fullBleedImage":{"__typename":"ContentfulAsset","contentful_id":"1ihBG8gZLjMmGOqyM0FEFi","id":"1ihBG8gZLjMmGOqyM0FEFi","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/1ihBG8gZLjMmGOqyM0FEFi/a6399c024d2ef85be7f4af4609701163/Screenshot_2024-04-20_at_22.12.04.png","contentType":"image/png","details":{"image":{"height":1798,"width":2392}}}},"fullBleedImagePortrait":null,"embedCode":null,"product":null,"productTags":null,"cutouts":null,"article":[{"slug":"heritage-iii-lobola-negotiations","category":{"slug":"view"}}],"customLink":null,"linkLabel":null,"backgroundColor":null,"color":null}},{"title":"Let’s Talk About Lobola","slug":"lets-talk-about-lobola","category":{"slug":"voice"},"story":null},{"title":"Mother and Child Heritage Dress","slug":"mother-and-child-heritage-dress","category":{"slug":"voice"},"story":{"id":"16PPUmbMiu6vBPxTzQYfAu","text":{"childMarkdownRemark":{"html":"<p><strong>\"Mother &#x26; Child\" Heritage Dress</strong> Discover short essays written by  leading professors explaining each culture’s folkloric childbearing rituals and beliefs, written exclusively for each dress in the capsule</p>"}},"media":[{"description":"","__typename":"ContentfulAsset","contentful_id":"dNBjkuLnC1fCpHOvwNnps","id":"dNBjkuLnC1fCpHOvwNnps","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/dNBjkuLnC1fCpHOvwNnps/5d86206559dabf47dbb6b897cd8dcfcc/2023_05_ThebeMagugu_HeritageShoot_Shot_09_059.jpg","contentType":"image/jpeg","details":{"image":{"height":8256,"width":6974}}}}],"mediaPosition":["left"],"mediaOrientation":null,"fullBleedImage":null,"fullBleedImagePortrait":null,"embedCode":null,"product":null,"productTags":null,"cutouts":null,"article":[{"slug":"mother-and-child-heritage-dress","category":{"slug":"voice"}}],"customLink":null,"linkLabel":null,"backgroundColor":null,"color":null}},{"title":"Mother & Child Dress: 9 South African Cultures","slug":"Mother & Child Dress","category":{"slug":"mother-and-child-dress"},"story":null},{"title":"Black Aspirations & White Fear","slug":"black-aspirations-white-fear","category":{"slug":"voice"},"story":{"id":"6BFDdRpQILw8kQYawiFkX6","text":{"childMarkdownRemark":{"html":"<p><strong>Black Aspirations &#x26; White Fear</strong> Sharing an intimate account of South Africa’s racial dynamics, ‘We Are Cool’ is a creative project and exhibition that consists of South African documentary photographers Reatile Moalusi and Jacque Nelle’s works, at this initial stage.</p>"}},"media":[{"description":"","__typename":"ContentfulAsset","contentful_id":"1o7Ms2DLqT64W4LrYmJgEq","id":"1o7Ms2DLqT64W4LrYmJgEq","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/1o7Ms2DLqT64W4LrYmJgEq/e4e9cbd2da66764584beded302a83b3c/BBC_Final_Zambia_Lusaka_copy.jpg","contentType":"image/jpeg","details":{"image":{"height":880,"width":2280}}}}],"mediaPosition":["center"],"mediaOrientation":null,"fullBleedImage":null,"fullBleedImagePortrait":null,"embedCode":null,"product":null,"productTags":null,"cutouts":null,"article":[{"slug":"black-aspirations-white-fear","category":{"slug":"voice"}}],"customLink":null,"linkLabel":null,"backgroundColor":"#fffbf1","color":null}},{"title":"FAKA In Retrospect","slug":"faka-in-retrospect","category":{"slug":"voice"},"story":{"id":"4RRlwmtq3obSFxZs47ekjG","text":{"childMarkdownRemark":{"html":"<p><strong>FAKA In Retrospect</strong> “3Sum birthed FAKA,” tweeted Fela Gucci, paying homage to South Africa’s first openly gay pop group. 3Sum’s Koyo Bala, Jeff Moyo and Amstel Maboa walked so the rest of us could run. We couldn’t be more thankful for those who paved the way in mainstream media.</p>"}},"media":[{"description":"","__typename":"ContentfulAsset","contentful_id":"7lj4KJ3PHDZz9W6wKA58ZU","id":"7lj4KJ3PHDZz9W6wKA58ZU","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/7lj4KJ3PHDZz9W6wKA58ZU/17317d073c0e23e22c15dc97f10277fc/Travys_Owen_5.jpg","contentType":"image/jpeg","details":{"image":{"height":1520,"width":1140}}}}],"mediaPosition":["center"],"mediaOrientation":null,"fullBleedImage":null,"fullBleedImagePortrait":null,"embedCode":null,"product":null,"productTags":null,"cutouts":null,"article":[{"slug":"faka-in-retrospect","category":{"slug":"voice"}}],"customLink":null,"linkLabel":null,"backgroundColor":null,"color":null}},{"title":"Queer Heavenly Bodies","slug":"queer-heavenly-bodies","category":{"slug":"voice"},"story":{"id":"1QMihK394rMQykxorBs0kK","text":{"childMarkdownRemark":{"html":"<p><strong>Queer Heavenly Bodies</strong> From the day we are born into this world, we’re told about what to do, what to wear, what to aspire to, what not to be.</p>"}},"media":[{"description":"","__typename":"ContentfulAsset","contentful_id":"2k9RFT9D5YuQMKXIJ4rTge","id":"2k9RFT9D5YuQMKXIJ4rTge","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/2k9RFT9D5YuQMKXIJ4rTge/88c4b2f4e390786456af98853d03512b/kofi-1.jpg","contentType":"image/jpeg","details":{"image":{"height":760,"width":1140}}}}],"mediaPosition":["right"],"mediaOrientation":null,"fullBleedImage":null,"fullBleedImagePortrait":null,"embedCode":null,"product":null,"productTags":null,"cutouts":null,"article":[{"slug":"queer-heavenly-bodies","category":{"slug":"voice"}}],"customLink":null,"linkLabel":null,"backgroundColor":null,"color":null}},{"title":"Kimberley Calling","slug":"kimberley-calling","category":{"slug":"view"},"story":{"id":"3JiMk3p0210ARa6gT7AD4W","text":{"childMarkdownRemark":{"html":"<p><strong>Kimberley Calling</strong> From a graffiti print on defaced walls in the CBD to the pleat-heavy garb of a nearby church, I often reference my hometown of Kimberley in my collections.</p>"}},"media":[{"description":"","__typename":"ContentfulAsset","contentful_id":"6f5oEJFLCnFAQzTe4hPiNq","id":"6f5oEJFLCnFAQzTe4hPiNq","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/6f5oEJFLCnFAQzTe4hPiNq/5be4fa1c79c92846264221ddf907d89a/2.jpg","contentType":"image/jpeg","details":{"image":{"height":2280,"width":1520}}}},{"description":"","__typename":"ContentfulAsset","contentful_id":"6BSM4mprbjWCLiARfBrHOx","id":"6BSM4mprbjWCLiARfBrHOx","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/6BSM4mprbjWCLiARfBrHOx/e1934b8ae5e4fc9d32a189ccfe611598/7.jpg","contentType":"image/jpeg","details":{"image":{"height":2280,"width":1520}}}},{"description":"","__typename":"ContentfulAsset","contentful_id":"1eVIkRHT8f89s01E2IVhGW","id":"1eVIkRHT8f89s01E2IVhGW","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/1eVIkRHT8f89s01E2IVhGW/42b4d45af1e216fc63b32e8f0ce53550/3.jpg","contentType":"image/jpeg","details":{"image":{"height":2280,"width":1520}}}}],"mediaPosition":["left"],"mediaOrientation":null,"fullBleedImage":null,"fullBleedImagePortrait":null,"embedCode":null,"product":null,"productTags":null,"cutouts":null,"article":[{"slug":"kimberley-calling","category":{"slug":"view"}}],"customLink":null,"linkLabel":null,"backgroundColor":null,"color":null}},{"title":"Take me home","slug":"take-me-home","category":{"slug":"view"},"story":{"id":"6NltArtb9BESUbh3M1VquI","text":{"childMarkdownRemark":{"html":"<p><strong>Take me home</strong></p>"}},"media":[{"description":"","__typename":"ContentfulAsset","contentful_id":"317GbsUkemNclnBKnV0Lmj","id":"317GbsUkemNclnBKnV0Lmj","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/317GbsUkemNclnBKnV0Lmj/ffac9fff95b6ef2ece383fa055bceaea/dd_2.png","contentType":"image/png","details":{"image":{"height":816,"width":600}}}},{"description":"","__typename":"ContentfulAsset","contentful_id":"3x4BMuCUzsPvOPnT6vJMy","id":"3x4BMuCUzsPvOPnT6vJMy","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/3x4BMuCUzsPvOPnT6vJMy/c01076f81607e75a39dfacbfed23ab03/image_100.png","contentType":"image/png","details":{"image":{"height":816,"width":600}}}},{"description":"","__typename":"ContentfulAsset","contentful_id":"0bS9tSpcTyDXFmTd4qGbO","id":"0bS9tSpcTyDXFmTd4qGbO","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/0bS9tSpcTyDXFmTd4qGbO/7ccd49eb63eca2438b3806d4ccc8af2b/image_103.png","contentType":"image/png","details":{"image":{"height":816,"width":600}}}}],"mediaPosition":["right"],"mediaOrientation":null,"fullBleedImage":null,"fullBleedImagePortrait":null,"embedCode":null,"product":null,"productTags":null,"cutouts":null,"article":[{"slug":"take-me-home","category":{"slug":"view"}}],"customLink":null,"linkLabel":null,"backgroundColor":null,"color":null}},{"title":"Izithyilelo Zika Nzdimani","slug":"izithyilelo-zika-nzdimani","category":{"slug":"view"},"story":{"id":"2Rk7XdSTLddsvrgj7Xvjsz","text":{"childMarkdownRemark":{"html":"<p><strong>Izithyilelo Zika Nzdimani</strong> From the Holy Trinity Church in Braamfontein to a hidden waterfall in Blairgowrie, Anthony Bila and Amy Zama take to sacred spaces to document eight of South Africa’s most agenda-setting voices, recreating and recontextualizing key scenes from The Good Book.</p>"}},"media":[{"description":"","__typename":"ContentfulAsset","contentful_id":"4V6btUBSRkL31JXgVjVM4U","id":"4V6btUBSRkL31JXgVjVM4U","file":{"url":"//images.ctfassets.net/jc4tugmrgmqg/4V6btUBSRkL31JXgVjVM4U/7adff244461be8d37558e1d26469e5ec/IZITYHILELO009.jpg","contentType":"image/jpeg","details":{"image":{"height":1710,"width":1140}}}}],"mediaPosition":["right"],"mediaOrientation":null,"fullBleedImage":null,"fullBleedImagePortrait":null,"embedCode":null,"product":null,"productTags":null,"cutouts":null,"article":[{"slug":"izithyilelo-zika-nzdimani","category":{"slug":"view"}}],"customLink":null,"linkLabel":null,"backgroundColor":"#fffbf1","color":null}}]}},"pageContext":{}},"staticQueryHashes":["687760877"],"slicesMap":{}}